From the Archive |
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Moving onto safer
territory, the climactic fight between Bond and Trevelyan is smashing in
its physicality. Brosnan is fast, strong and believable in the fight atop
the satellite tower in a scene that was timed out to mirror the Sean
Connery/Robert Shaw train fight in
From Russia With Love. |
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Contrasting Brosnan’s debut with the ‘unsuccessful 007s’; George Lazenby looked good and moved well but couldn’t really act, while Timothy Dalton could act up a storm but appeared uncomfortable in the clothes. Plus Dalton took the role too seriously (Sean Connery’s criticism) which hearkens back to an English critic’s comment, ‘that with James Bond, we do not want to see Laurence Olivier in a crocodile pit’. On all fronts Pierce Brosnan fulfilled his brief as James Bond with GoldenEye. A moribund series was revived and both the critics and cinema-going public accepted him in the role. In fact, GoldenEye became the top grossing Bond film in the series up to that point. Bond was definitely back – but where could it go from there? |
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All of Brosnan’s best scenes in the film occur with or around Teri Hatcher’s character. The encounter between Bond and Paris in his hotel room stands out. Brosnan is cool yet vulnerable, testy yet alert. A dark undercurrent of longing and desire infuses both Bond and Paris in this scene. |
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