From the Archive |
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Moving onto safer
territory, the climactic fight between Bond and Trevelyan is smashing in
its physicality. Brosnan is fast, strong and believable in the fight atop
the satellite tower in a scene that was timed out to mirror the Sean
Connery/Robert Shaw train fight in
From Russia With Love. |
Contrasting Brosnan’s debut with the ‘unsuccessful 007s’; George Lazenby looked good and moved well but couldn’t really act, while Timothy Dalton could act up a storm but appeared uncomfortable in the clothes. Plus Dalton took the role too seriously (Sean Connery’s criticism) which hearkens back to an English critic’s comment, ‘that with James Bond, we do not want to see Laurence Olivier in a crocodile pit’. On all fronts Pierce Brosnan fulfilled his brief as James Bond with GoldenEye. A moribund series was revived and both the critics and cinema-going public accepted him in the role. In fact, GoldenEye became the top grossing Bond film in the series up to that point. Bond was definitely back – but where could it go from there? |
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All of Brosnan’s best scenes in the film occur with or around Teri Hatcher’s character. The encounter between Bond and Paris in his hotel room stands out. Brosnan is cool yet vulnerable, testy yet alert. A dark undercurrent of longing and desire infuses both Bond and Paris in this scene. |
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The sequel to this is Bond’s encounter with Paris’ murderer, Dr. Kaufman (played by Vincent Schiavelli), in the same hotel room. Brosnan registers pain and regret on seeing Paris dead on his bed. His confrontation with Kaufman elicits some wry laughter before the tables are turned and Brosnan gets the upper hand. When Kaufman pleads for mercy Bond dispatches Kaufman by invoking his professionalism. It is perhaps Brosnan’s best moment as James Bond. |
The rest of the film is a highly enjoyable action romp in the best Bond tradition but alas left little room for drama. Elements of the Brosnan touch are evident throughout though; the Conneryesque grace as Brosnan breaks into Carver’s lab, Brosnan’s facial expressions as he contemplates Jonathan Pryce’s ravings about ‘having his divisions’ and especially managing to look cool handcuffed to Michelle Yeoh on a motorcycle, another situation in which Roger Moore or Timothy Dalton would have looked foolish. |
As such it’s inaccurate to say that Brosnan grew into the James Bond role in Tomorrow Never Dies because his take on the role was fully formed by the end of GoldenEye. Brosnan had some great opportunities in his second film to illustrate what made the Brosnan/Bond successful. The desire to have more ‘acting’ to do as James Bond would lead to changes in his next film, but the results were a mixed bag. |