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Issue #49 (August 2006)

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BILLION DOLLAR BOND!
Pierce Brosnan and Rick Yune in Die Another Day (2002)

Like Tomorrow Never Dies though, Die Another Day spends most of its time on the action and all the heavy-lifting acting scenes are dispensed with early on. A few scenes tweak the standard office routines that appear in every film. The reconciliation scene between Bond and M occurs in an abandoned underground station which allows Brosnan to quip that it’s an “abandoned station for abandoned agents.” Still not giving an inch though, Judi Dench tartly defends her actions as part and parcel of the grey area that they both operate in. Coming full circle from their initial scene in GoldenEye, Brosnan/Bond still has issue with Dench’s M but the underlying sense of mutual respect between Bond and M is still evident.

Pierce Brosnan with John Cleese as Q in Die Another Day (2002)

Also tweaked is the Q scene which also takes place in the disused underground station. Now played by John Cleese, Q laces his verbal sparring with 007 with Pythonesque sarcasm. This possibly hints at a different dynamic between Bond and Q in future films. For his part though, Brosnan is wonderfully charming as he yanks the new Q’s chain by blithely destroying the instruction manual for his new Aston Martin Vanquish with the vehicles own machine-guns.

Paying homage to the previous 40 years of Bond films, Q’s lab is stocked with famous past gadgets such as the Bede Acrostar Jet from Octopussy and the jetpack from Thunderball. Brosnan calls these the “old relics.” Oddly enough though, this quip takes on an ironic subtext for those revisiting the film. Having subsequently lost the James Bond role after Die Another Day, Brosnan himself has become another ‘old relic’ to be displayed among the other museum pieces.

Another odd scene is the virtual reality make out Miss Moneypenny gets to enact with Brosnan/Bond using Q’s virtual training device. Brosnan is game in his (and in fact all 007s) one-time pay-off to all that flirting with Moneypenny through the years. The extra-textual meaning of this bears some comment. Coming at the end of Brosnan’s last Bond film can we surmise that Brosnan/Bond has always been somewhat of a ‘virtual James Bond’? Programmed like some sort of live action video game, this Bond looks, moves, and acts the part but is there really a soul? Maybe we are reading too much into this, but the implications are nonetheless interesting.

Pierce Brosnan in the VR sequence in Die Another Day (2002) Pierce Brosnan as James Bond kite surfing in Die Another Day (2002)

Because Pierce Brosnan was not asked back for a fifth film, Die Another Day inadvertently became his swan song as 007. This is further irony for the “abandoned agent” quip that Brosnan makes in the film. Like Bond himself, Brosnan’s Double-O status was terminated when it was evident that he still had the skills to serve.

James Bond Will Return…

So how do the four Pierce Brosnan/James Bond films fit into the entire 007 oeuvre? None of Brosnan’s films were instant classics but none of them were stylistic disasters either. They all have fans and they all have detractors, and all of the Brosnan films bear repeated viewing and will age nicely. The four films do pair up nicely though. GoldenEye and The World Is Not Enough have a similar tone and rhythm with more nuanced dramatics interspersed with the action. On the other hand, Tomorrow Never Dies and Die Another Day emphasize action and spectacle over dramatics.

Roger Moore visits the set of GoldenEye (1995) ay Leavesden Studios | Pierce Brosnan as James Bond 007

The duality theme fits the overall summation about Brosnan as James Bond. It might not have been a conscious decision but Pierce Brosnan did draw on the twin legacies of Sean Connery and Roger Moore as James Bond. Like Connery, Brosnan was sexy, masculine, kinetic and capable of conveying menace. Some critics mention the Celtic tradition as a good trait for Bond actors – Fleming’s Bond even calls himself “a Scottish peasant.” Like Roger Moore though, Brosnan/Bond could sashay through casinos and boudoirs in between explosions. Brosnan could then defuse a volatile situation with an arch quote in the best Moore tradition. And damn if that close-up of Brosnan’s eyes as he contemplates how to escape the British hospital ship in Die Another Day is not pure Roger Moore.

Another indicator of being a successful James Bond was Brosnan’s choices of projects between Bond films. Bond actors must walk the tightrope between roles that maintain or raise their visibility as James Bond while not straying too far from what makes them appealing as Bond. Brosnan illustrated this scenario by choosing roles that emphasized his sophisticated and urbane side which sometimes called for action heroics. In between roles included joining A-list ensembles such as The Mirror Has Two Faces (1996) and Mars Attacks! (1996). Brosnan also top-lined the disaster flick Dante’s Peak (1997), a role he would probably wouldn’t have been offered if he hadn’t elevated his profile with James Bond.

Pierce Brosnan on location in Tomorrow Never Dies (1997)

Pierce Brosnan in Mars Attacks! (1996)
Mars Attacks! (1996)
Pierce Brosnan in The Thomas Crown Affair (1999)
The Thomas Crown Affair (1999)  
Director John McTiernan, Pierce Brosnan & Rene Russo on the set of The Thomas Crown Affair  (1999)

Director John McTiernan, Pierce Brosnan and Rene Russo on the set of The Thomas Crown Affair  (1999)

Brosnan also triumphed in the 1999 remake of The Thomas Crown Affair in which he co-starred with model turned actress, Rene Russo. Playing a sophisticated playboy who dabbles in art theft was not a stretch for Brosnan, and the chemistry between him and Russo was palpable, and more than held its own in comparison with the original film’s pairing of Steve McQueen and Faye Dunaway. As a whole, the remake is actually better than the original, owing to a clever script and tight direction from Die Hard director John McTiernan. More than a few people commented that Brosnan was actually more Bondian in The Thomas Crown Affair than he was in The World Is Not Enough later that same year.

Another successful off-Bond year film for Brosnan was The Tailor Of Panama (2001), based on the novel by John le Carré. Again playing a British spy, Brosnan has loads of fun playing a sleazier version of Bond; a lying, cheating, porn-loving conman. Acting against the redoubtable Geoffrey Rush, Brosnan steals all his scenes in this John Boorman film. While not a financial success, The Tailor Of Panama has aged well and is pointed to as one of Brosnan’s artistic successes between Bond films.

Brosnan with Jamie Lee Curtis in The Tailor Of Panama (2001)
Brosnan with Jamie Lee Curtis in The Tailor Of Panama (2001)
The Laws Of Attraction (2004)
The Laws Of Attraction (2004)
 The Matador (2005)
 The Matador (2005)

Following his official release from the Bond series, Brosnan earned rave reviews and a Golden Globe nomination for The Matador (2005). Brosnan again gets to channel his inner sleaze as a hit man who is slowly cracking up. Brosnan cuts loose drinking and whoring and even walking through another hotel lobby, but this time wearing only underpants and cowboy boots. Critics picked up on Brosnan’s sense of liberation from the Bond role and commended his ability to send up his image. Details magazine commented that Pierce Brosnan’s post-Bond career looked to be more “Sean Connery than Timothy Dalton,’’ which is high praise indeed.

Pierce Brosnan

Returning to his Bond legacy though, another of Brosnan’s contributions to the series was to elevate James Bond into a brand name associated with high end luxury goods. The Bond films have always been an ideal marketing vehicle and previous Bond actors have all logged in some sort of advertising duty. But Brosnan took his Bond to another level by making the character synonymous with the OMEGA Seamaster Professional watch, the model he wore in the films, and which sales of skyrocketed after its use in GoldenEye. Other brands that benefited from the Brosnan/Bond mystique included Brioni suits, Smirnoff Vodka, Calvin Klein sunglasses, Church’s Shoes and even BMW automobiles.

To sum it all up, Pierce Brosnan was a very successful James Bond who many people felt should have been given at least one more film to gracefully end his tenure. That will never be, but Brosnan proved that he could ably fill the big shoes left him by previous successes Sean Connery and Roger Moore. Brosnan can claim some of the credit for getting the series back on track in the Nineties and ultimately raising the stakes for the next actor. He left the Bond series in a much stronger position than it was when he inherited the role. Brosnan’s departure was definitely not like that of Timothy Dalton’s, whose film Licence To Kill was perceived in Hollywood terms as a relative failure. Daniel Craig must now live up to not only the shadows of Connery and Moore, but now Brosnan as well.

Pierce Brosnan's son Sean is introduced to Prince Charles at the UK premiere of GoldenEye (1995) Pierce Brosnan clowns with Rosamund Like and Halle Berry at the press conference at the start of shooting on Die Another Day (2002)
Pierce Brosnan in Tomorrow Never Dies (1997)

Those long shadows were cast by differing interpretations of James Bond. All five 007 actors have left their marks on the role for better or worse, but the actors that matter most to the general public are Sean Connery, Roger Moore and Pierce Brosnan. The very first Bond, Sean Connery accurately assessed that the essence of playing James Bond is to make it appear effortless. Pierce Brosnan had that essence and his tenure will go down as an important chapter in the ongoing series. James Bond does endure and the onus is now on Daniel Craig to ensure that James Bond will return...

An early publicity pohotograph of Pierce Brosnan before shooting on GoldenEye (1995)


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