From the Archive |
||
|
||
Like Tomorrow Never Dies though, Die Another Day spends most of its time on the action and all the heavy-lifting acting scenes are dispensed with early on. A few scenes tweak the standard office routines that appear in every film. The reconciliation scene between Bond and M occurs in an abandoned underground station which allows Brosnan to quip that it’s an “abandoned station for abandoned agents.” Still not giving an inch though, Judi Dench tartly defends her actions as part and parcel of the grey area that they both operate in. Coming full circle from their initial scene in GoldenEye, Brosnan/Bond still has issue with Dench’s M but the underlying sense of mutual respect between Bond and M is still evident. |
||
|
||
Another odd scene is the virtual reality make out Miss Moneypenny gets to enact with Brosnan/Bond using Q’s virtual training device. Brosnan is game in his (and in fact all 007s) one-time pay-off to all that flirting with Moneypenny through the years. The extra-textual meaning of this bears some comment. Coming at the end of Brosnan’s last Bond film can we surmise that Brosnan/Bond has always been somewhat of a ‘virtual James Bond’? Programmed like some sort of live action video game, this Bond looks, moves, and acts the part but is there really a soul? Maybe we are reading too much into this, but the implications are nonetheless interesting. |
||
|
||
Because Pierce Brosnan was not asked back for a fifth film, Die Another Day inadvertently became his swan song as 007. This is further irony for the “abandoned agent” quip that Brosnan makes in the film. Like Bond himself, Brosnan’s Double-O status was terminated when it was evident that he still had the skills to serve. |
||
|
||
So how do the four Pierce Brosnan/James Bond films fit into the entire 007 oeuvre? None of Brosnan’s films were instant classics but none of them were stylistic disasters either. They all have fans and they all have detractors, and all of the Brosnan films bear repeated viewing and will age nicely. The four films do pair up nicely though. GoldenEye and The World Is Not Enough have a similar tone and rhythm with more nuanced dramatics interspersed with the action. On the other hand, Tomorrow Never Dies and Die Another Day emphasize action and spectacle over dramatics. |
|
|||||||||||||||||||||
|
|||||||||||||||||||||
Following his official release from the Bond series, Brosnan earned rave reviews and a Golden Globe nomination for The Matador (2005). Brosnan again gets to channel his inner sleaze as a hit man who is slowly cracking up. Brosnan cuts loose drinking and whoring and even walking through another hotel lobby, but this time wearing only underpants and cowboy boots. Critics picked up on Brosnan’s sense of liberation from the Bond role and commended his ability to send up his image. Details magazine commented that Pierce Brosnan’s post-Bond career looked to be more “Sean Connery than Timothy Dalton,’’ which is high praise indeed. |
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||
|
|||||||||||||||||||||