007 MAGAZINE - The World's Foremost James Bond Resource!

From the Archive
007 MAGAZINE
Issue #10 (1982)
Issue #17
(1988)
Issue #34
(1998)
007 MAGAZINE OnLine (2006)

007 MAGAZINE HOME  •  JAMES BOND NEWS  •  FACT FILES  •  MAIN MENU  •  PURCHASE 007 MAGAZINE

The Face Of James Bond
Read John McLusky's obituary

The talents of 35-year old artist John McLusky were engaged to illustrate the strip, however, before he was officially put under contract for CASINO ROYALE he was asked to illustrate the ‘book-gun’ sequence from the novel FROM RUSSIA, WITH LOVE for Fleming’s approval. Fleming had supplied McLusky with a drawing commissioned from another artist of how he the author visualised Bond’s looks, but McLusky felt that Fleming’s interpretation of Bond’s look was too reminiscent of the pulp heroes of the Twenties. When McLusky came to create Bond’s facial characteristics he remembered Fleming’s sporting hero Henry Cotton together with the faces of movie actors that had stood the test of time. They all had particularly fine bone structure. So Bond’s face became a concoction of the master golfer, a young Robert Taylor, the tall easy relaxed style of Gary Cooper, and a dash of the Duke of Edinburgh - after all, James Bond was a naval Commander!

CASINO ROYALE strip #25
CASINO ROYALE strip #74 CASINO ROYALE strip #74 CASINO ROYALE strip #74
LIVE AND LET DIE title strip LIVE AND LET DIE title strip LIVE AND LET DIE title strip
LIVE AND LET DIE strip #188 LIVE AND LET DIE strip #188 LIVE AND LET DIE strip #200

ABOVE: (strip #25) John McLusky often used montage panels to quickly convey the narrative with a series of ‘talking-heads’.
(strip #74) The baccarat duel between Bond and Le Chiffre from CASINO ROYALE.
(strip #139) The second story utilised the lettering design from the Jonathan Cape dust jacket.
(strip #188) John McLusky's Bond ultimately sends one of Mr. Big's henchmen to the sharks... and later end up swimming with barracudas beneath the villains yacht.
RIGHT: (strip #206) Mr. Big intends to use Bond and Solitaire as interesting bait for the sharks, in the keelhauling sequence that finally made it to the screen in 1981, but in For Your Eyes Only.

LIVE AND LET DIE strip #206 LIVE AND LET DIE strip #206

It is interesting to note how much McLusky’s drawings began to resemble the facial characteristics of Sean Connery, years before he appeared as James Bond. One can only wonder how much the strip might have influenced Sixties’ Bond producers ‘Cubby’ Broccoli and Harry Saltzman when casting the part. The similarity between the 1960 strip version of DR. NO (scripted from the novel by Modesty Blaise creator Peter O’Donnell) and several sequences in the 1962 film, lead one to hypothesise that the filmmakers, faced with a limited budget, may have used the McLusky artwork as a storyboard for some scenes.


The Face of James Bond Part 1

 

CONTINUED