Sean Connery as James
Bond was featured prominently in two hardcover annuals in 1963 and 1964.
Film Show was published by Purnell. Ken & Sylvia Ferguson
supplied the editorial, with all images coming
from their extensive
Photoplay picture archive. |
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FILM SHOW ANNUAL
Purnell & Sons Ltd. 1963
Hardcover 64-pages
Front cover Sophia Loren
Rear cover Robert Wagner |
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FILM SHOW ANNUAL
Purnell & Sons Ltd. 1964
Hardcover 64-pages
Identical front & back cover featuring Sean Connery as James Bond
(1963) |
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Although the traditional
hardcover annuals available in the 1960s in the UK were firmly aimed at
children, the popularity of the more adult oriented Sean
Connery film series couldn’t be
overlooked. In late 1965, just in time for the the Christmas market, the
first James Bond 007 annual was released. EON Productions were keen to
capitalize on the success of certain elements of the films that
particularly appealed to a younger audience, such as the gadget-laden
CORGI Aston Martin DB5, and
these popular
compendium annuals
were as ubiquitous as a chocolate
selection box underneath the Christmas tree, becoming highly collectible items
in their own right. Annuals were usually issued
to tie-in with popular children's comic or TV characters,
but as the first three James Bond annuals were
published at the height of ‘Bondmania’ in the mid-Sixties
they were filled
with pictures and information about the Sean Connery films, alongside
other spy related picture stories and fiction. All three 1960s annuals
contained many full page colour stills from the films (including deleted
scenes and many not seen
in any other publication), and publicity
portraits of the stars. Unusually, the 1966 annual included two colour
portraits of Sean Connery from The Hill (1965) directed by Sidney
Lumet - a film that the target audience of this publication would not be
permitted to see at the time as it was originally classified with an ‘X’
certificate by the British Board of Film Censors, which limited the
audience to those over 16 years of age. The
1968 annual also reprinted the 1958 Daily Express comic strip
version of LIVE AND LET DIE drawn by John McLusky. This marked the first
time that the James Bond comic strip had been presented in full as a
continuous story, although the panels were slightly reformatted
to remove the title caption from each strip. |
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THE JAMES BOND 007
ANNUAL
World Distributors 1965
Hardcover 126-pages
Priced at 12/6
Front cover art by Walter Howarth
(1928-2008)
Rear cover art by Ronald W. Smethurst |
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JAMES BOND 007
ANNUAL
World Distributors 1966
Hardcover 126-pages
Priced at 12/6
Cover artist uncredited |
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JAMES BOND 007
ANNUAL
World Distributors 1968
Hardcover 94-pages*
Priced at 12/6
*All copies
have incorrect pagination -
numbering begins on page 8 |
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Contents
Sean Connery Colour Portraits:
Spread 1
Spread 2
Spread 3
Thunderball Exclusive Colour shots:
Spread 4*
Arch Enemies of 007:
Spread 5
Spread 6 Bond's Beautiful Women:
Spread 7
The Amazing Aston Martin* |
Contents
S.P.E.C.T.R.E.'s Man - Largo:
Spread 1*
Spread 2*
Portraits of Sean Connery:
Spread 1
Spread 2
The Hill
(1965)
More About Bond:
Spread 1
Spread 2*
007 Drops In
More Scenes From Thunderball
[B&W]** |
Contents
The Cars of James Bond
The World of James Bond:
Spread 1*
Spread 2
Spread 3
LIVE AND LET DIE
Comic Strip
Profiles in Villainy:
Spread 1
Spread 2
Pictorial
endpapers |
**Some
landscape-style photos were rotated to fit a full-page in the annuals,
but sample pages are displayed here correctly orientated for ease of
viewing.
**In the section ‘More Scenes From Thunderball (Black & White)’
there is a still showing James Bond (Sean Connery) fighting
with Capungo (stuntman Alf Joint) which is actually from Goldfinger
(1964), although not credited as such. Apart from The Hill
(1965) this is the only still in the annual that is not from
Thunderball (1965). Both the 1965 and 1968 annuals contained
stills from all the James Bond films made at that point, and were
always credited correctly. |
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The 1965 James Bond
Annual contained a full-page colour portrait of Sean Connery
[pictured left] by renowned Belgian-born photographer
Robert Freson
(1926- ). The image of Connery wearing a white tuxedo with a red
carnation is often misidentified by picture libraries and the media as
being from
Goldfinger, as Bond wears a white
dinner jacket and accompanying red carnation in the pre-credit sequence of
the 1964 film. The photograph was taken by Freson for the
June 1965 issue
of
Esquire magazine and clearly shows Sean Connery sporting his new-style
Thunderball hairpiece.
Roger Moore was also
featured on the cover and inside five editions of the PHOTOPLAY FILM
ANNUAL 1974-1980. Similar in format to the 1960s FILM SHOW annuals, the PHOTOPLAY
FILM ANNUAL/FILM YEAR BOOK was also edited by Ken Ferguson and his
staff, and served as a companion to their popular monthly film
magazine. The annuals had different content to the magazine, and
featured articles and portraits of the stars in films released during
the year before that shown on the cover. The hardback annuals were published at the end of the year to
take advantage of the Christmas market. The 1980 PHOTOPLAY FILM YEAR BOOK had an expanded page count, but was only issued
as a softcover edition. |
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As The Man With The
Golden Gun was released in December 1974, it was too late to have a
feature in the 1975 PHOTOPLAY FILM ANNUAL, but was included in a four-page
article ‘Secrets behind those big movie moments’ in the 1976 edition,
which explained the background to the spectacular
Astro Spriral Jump performed by
Loren “Bumps” Willert. The 1976 PHOTOPLAY FILM ANNUAL also
included a movie quiz asking readers to name the players who featured as six
Bond villains. Thankfully the answers were also provided, as an
unfortunate error named the character played by Yaphet Kotto in
Live And Let Die (1973) as Dr. Jakarta - the name of the character in
early script drafts before it was changed to Kananga!! |
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Three further specials
were issued in 1979, 1981 and 1983 to tie in with Roger Moore's fourth,
fifth and sixth films as James Bond. Although these three annuals also
featured archival James Bond/spy related content, they were aimed
specifically as cross-promotion for Moonraker (1979), For Your
Eyes Only (1981) and Octopussy (1983). These
hardcover books were issued mid-year and
labelled a
‘Special’ rather than an ‘Annual’. The For
Your Eyes Only special was written by entertainment journalist Tony
Crawley (1938- ), with the text of ‘For Your Eyes Only - the movie’
by John Brosnan (1947-2005), author of the groundbreaking book James Bond In The Cinema
(1972).
The Octopussy special feature text was written by
British journalist Richard Holliss, with a comic strip version of the film written by Steve
Moore (1949-2014) and illustrated by comic book artist,
writer and editor Paul Neary (1949-2024). The
For Your Eyes Only and Octopussy specials have identical
front and back covers.
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*The reproduction of
James Bond's fictional Secret Service file had originally appeared in the 1968
annual. |
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ABOVE: (left) Paul
Neary's original artwork (partially inked and lettered) for the 1983 Marvel
comic adaptation of Octopussy, and (right) the finished
title page as it appeared in the annual. |
More of Paul Neary's original artwork and finished pages:
PAGE 5
PAGE
13
PAGE
19
PAGE
24
PAGE
30
PAGE 35
PAGE
43 |
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THE OFFICIAL JAMES BOND 007
MOVIE BOOK
Hamlyn Publishing Group Ltd. 1987
Hardcover 128-pages
Priced at £7.95
Written by Sally Hibbin |
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THE NEW OFFICIAL JAMES BOND 007
MOVIE BOOK
Hamlyn Publishing Group Ltd. 1989
Hardcover 128-pages
Priced at £9.95
Written by Sally Hibbin |
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JAMES BOND
THE OFFICIAL 007 FACT FILE
Hamlyn Publishing Group Ltd. 1989
Hardcover 62-pages
Priced at £3.99
Written by Richard Holliss |
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UK publishing company
Hamlyn released the first official authorised James Bond book in 1987 to
celebrate the 25th Anniversary of the 007 series. Though not in the same
format as the earlier children’s annuals, The Official James Bond 007
Movie Book was still targeted at a younger audience, at a time when
the films themselves were trying to move away from their more humorous
elements that had become popular during the Roger Moore era. |
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The Official
James Bond 007 Movie Book 1987 Crown
Publishing US edition |
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The Official James
Bond 007 Movie Book was commissioned by EON Productions to tie in
with the release of The Living Daylights starring Timothy
Dalton as the new James Bond. Ironically, written by the British
independent film producer Sally Hibbin (1953- ), daughter of the
outspoken feminist film critic Nina Hibbin (1922-2004), who had
famously slated the early James Bond films in her reviews for
communist newspaper the Daily Worker. Reviewing Goldfinger,
Nina Hibbin remained unimpressed by the Bond formula of “constantly
lurking viciousness, and the glamorisation of violence… the carefully
timed peaks of titillation and the skilfully contrived
sensationalism”.
The Official James Bond 007 Movie Book was basically a
film-by-film overview of the series, and although overseen by EON
Productions Publicist Jerry
Juroe, it contained a number of inaccuracies in the text. Released
at the height of James Bond fandom in the UK, the book featured over
200 unusual and rarely-seen stills from the EON archives, and was
advertised as the first and only authorized book covering all 15 films
in the world's most successful movie series. The American edition from
Crown Publishing had a slightly different front cover to its UK
counterpart. In 1987 Hamlyn also published The Official James Bond
Movie Poster Book by Sally Hibbin – a large format 48-page
softcover volume featuring 20 full-page reproductions of the Bond film
posters from Dr. No (1962) to The Living Daylights
(1987). |
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The Official James
Bond 007 Movie Book was updated and expanded to coincide with the
release of Licence To Kill in 1989. Sally Hibbin also wrote The
Making of Licence To Kill, published by Hamlyn as a paperback edition,
which was the first in-depth book covering all aspects of the production
of a James Bond film. In 1989 Hamlyn also published a slim hardcover
overview of the James Bond films from Dr. No to Licence To Kill,
featuring over 100 photographs from the films, with diagrams, quizzes and
more; James Bond The Official 007 Fact File written by Richard
Holliss, former editor of Starlog (UK) magazine, was still aimed at
a younger audience and contained a brief overview of the films, cars,
gadgets, and villains etc., and was effectively a modern replacement for
the more generic original 1960s compendium annuals. |
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ABOVE (left) A
Hamlyn poster advertising The Official James Bond Movie Book
and The Official James Bond 007 Movie Poster Book
[ROLLOVER], both
written by Sally Hibbin. (right) The cover of the Sally Hibbin's
128-page The Making of Licence To Kill, published in
softcover by Hamlyn in 1989. |
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