Exhibitors’ Campaign
Books have been around for as long as there have been movies, and feature
an eclectic mix of elements helping to promote a film. Mainly supplied to
cinema managers (but sometimes also the national and local press) these
publications in their standardised format e.g. for films released by
United Artists in the Sixties (like the Bond series) would usually contain
12 pages, although the page count and page size of other film
distributors’ campaign books could differ. The James Bond campaign books
were mostly laid out in a portrait format (approximately 9¾" X 15");
although this style was broken with Thunderball (1965), You Only
Live Twice (1967), and On Her Majesty’s Secret Service (1969),
which were slightly larger (approximately 12" X 18") and issued in a
landscape format, before returning to the portrait format again with Diamonds
Are Forever (1971). |
|
Exhibitors’ Campaign Books contain all the officially released facts
pertaining to each James Bond film – from the synopsis, credits and
contractual billing of the filmmakers and artistes, to
promotional tie-ins
and details of the records, toys, books and magazines issued to support
the release of each film; these fascinating time capsules show everything
available and officially sanctioned at a given point in time. During the
Roger Moore era several new marketing tie-ins were initiated during the
theatrical release, and these were advertised in additional supplements to
the original Exhibitors’ Campaign Book available after the film had gone
into wider distribution, or used during a later reissue. For some films
in the series the National Screen Service also produced additional inserts
with fewer pages reproducing the advertising block sections of the
campaign book. These were generally supplied to regional newspapers to
accompany cinema listings when the films were on general release. |
|
All the James Bond films from Dr. No (1962) to Licence To Kill (1989)
had Exhibitors’ Campaign Books produced to accompany the original release
of each film. By the time Agent 007 returned to UK cinema screens after a
six-year hiatus in 1995 with GoldenEye, the Exhibitors’ Campaign
Book had been discontinued, replaced by Spirex-bound marketing manuals and
electronic press kits on VHS videocassette, and eventually CD-ROM, and
DVD, but were discontinued after The World Is Not Enough (1999).
Surprisingly, nothing was produced for Die Another Day, the 40th
anniversary film in the series, which had its Press Kit issued as a CD-ROM
with printed production notes slotted behind the Miranda Frost section.
The contents were housed in a fold-out glossy card case (5.5" X 7.5").
However, a 26-page glossy colour landscape format Marketing Guide (7"
X
11.75") was produced for Casino Royale (2006).
Not surprisingly these publications have become highly sought-after and
can be an expensive addition to a Bond enthusiast’s collection. |
|
|
*For those UK
double-bills which did not have an accompanying Exhibitors’ Campaign Book,
the National Screen Service issued a single page or tri-folded (14" X 9")
sheet advertising the various sizes of composite material available to
newspapers and cinemas. These double-bills usually (but not always) had a
new quad-crown
poster (30" X 40") also available from the National Screen Service.
Where no quad-crown poster was produced, the NSS suggested using
individual double-crown posters in advertising displays. |
|
There was an
additional two-page sheet listing the composite material available for
the 1968 double-bill of Goldfinger/Thunderball that
was shown at evening performances on same day as matinee screenings of Thunderbird
6 and Pink Panther cartoons. A new quad-crown
poster was issued to those cinemas that played the two different
programmes, whilst others chose just to screen the James Bond
double-bill. Corresponding newspaper advert blocks were also available
to newspapers promoting this ‘New Idea In Entertainment’.
The programme is often mistaken as a triple-bill, but this was never
the case, as cinemas would close after the afternoon matinee
performance of Thunderbird 6 and Pink Panther cartoons,
and then re-open in the evening for the double-bill of Goldfinger/Thunderball. The
only two formal triple-bills were the 1983 programme of Octopussy/For
Your Eyes Only/Thunderball shown exclusively in London at the Empire
1, Leicester Square from 9th - 22nd December 1983; and Octopussy/Diamonds
Are Forever/For Your Eyes Only screened simultaneously at the
ODEON Marble Arch. A new quad-crown poster was produced for the Empire
engagement, and a hand-lettered version for the alternate programme. |
|
|
|
|
|
|
|
|
007 MAGAZINE
THE JAMES BOND FILMS:
EXHIBITORS’ CAMPAIGN BOOKS (UK)
VOLUME 3 £9.99 (+P&P)
VOLUME 4 £9.99 (+P&P)
VOLUME 5 £9.99 (+P&P) |
|
|
|
|
FACT FILES INDEX |
FACT FILES The James Bond Girls |
FACT FILES MOVIES |
|