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‘The James Bond Theme’
The John Barry Seven and Orchestra
Columbia Records DB 4898 |
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Released September
1962. Highest UK chart position #13.
Paper sleeve only in
UK
From early 1963 the single had a black label
B-side ‘The Blacksmith Blues’ |
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‘Jamaica Jump Up’
Lord Creator with The Byron Lee Orchestra
Island Records JU-503 |
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Released 22 November
1962
Paper sleeve only in
UK
B-side ‘Laziest Man’ |
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‘007 - From Russia
With Love’
The John Barry Seven and Orchestra
Ember Records EMB S 181 |
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Released October 1963.
Highest UK chart position #39.
John Barry's re-recording of the Lionel Bart title track
‘From Russia With Love’ on the B-side. |
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‘From Russia With
Love’
Matt Monro
Parlophone R 5068 |
Released 4 October
1963. Highest UK chart position #20.
Paper sleeve only in UK
B-side ‘Here And Now’ |
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‘From Russia With
Love’
Matt Monro
Parlophone Records GEP 8889 |
Four-track 7" EP.
Released 1 November 1963. |
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‘From Russia
With Love - 007’
The John Barry Seven and Orchestra
Ember Records EMB EP 4551 |
Four-track 7" EP.
Released 1964.
B-side contains two tracks - ‘Monkey Feathers’ and ‘Zulu Stamp’, inspired by the original film
soundtrack Zulu (1964) composed and conducted by John Barry. |
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ABOVE: PURE GOLD
(left) EMI advertisement from The New Musical Express
Friday October 16, 1964 and (top) a Record Mirror
advertisement from October 3, 1964. (centre) Composer John
Barry and Shirley Bassey with the gold disc awarded to the
$1-million selling original soundtrack album for Goldfinger.
(bottom) Shirley Bassey with ‘Goldfinger’ co-writers Leslie
Bricusse and Anthony Newley. |
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Recorded at CTS
Studios on August 20, 1964 Shirley Bassey's iconic rendition of
the title track for Goldfinger was actually performed
several times during the sessions. For the Columbia single release
an alternate take was used to the one featured on the
original soundtrack album. The single version was produced by
George Martin, who
had also produced Matt Monro's ‘From Russia With Love’ single, and would later compose the soundtrack for Roger
Moore's debut as James Bond in Live And Let Die (1973).
Shirley Bassey performed the song at the lavish after-show party
at the Astor Hotel following the
New York Premiere of
Goldfinger on December 21, 1964 which had been held at the
De MILLE Theatre on Broadway. The single sold over one-million
copies in the USA and reached number eight on the Billboard Hot 100
chart. Despite the record-breaking success of the film
Goldfinger on its original release, Shirley Bassey's title
song only reached number 21 in the UK charts in 1964. The
soundtrack album featuring John Barry's orchestral score, which
opened with Shirley Bassey's alternate take of the title song
heard in the film, was
released in the USA on December 12, 1965 reaching number one on
March 20, 1965. Although 8-minutes
shorter than the UK version,
the Goldfinger soundtrack was the most popular album in the
US chart for three weeks, and awarded a gold disc signifying over
$1-million in sales. |
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‘Goldfinger’
Shirley Bassey
Columbia Records DB 7360 |
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Released 18 September
1964. Highest UK chart position #21.
Paper sleeve only in UK
B-side ‘Strange How Love Can Be’ |
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‘Goldfinger’
[Instrumental missing from original UK soundtrack album]
John Barry and his Orchestra
United Artists Records UP 1068 |
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Released 2 October
1964
Paper sleeve only in UK
B-side ‘Troubadour’ |
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‘Thunderball’
Tom Jones
Decca Records F 12292 |
Released 26 November
1965. Highest UK chart position #35.
Paper sleeve only in UK
B-side ‘Key To My Heart’ |
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‘Casino Royale’
Herb Alpert & the Tijuana Brass
A&M Records AMS 700 |
Released 31 March
1967. Highest UK chart position #27.
B-side ‘The Wall Street Rag’ |
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‘Have No Fear, Bond Is Here’
Mike Redway
Deram Records DM 124 |
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Released 14 April 1967
Paper sleeve only in UK
B-side ‘My Poem For You’ |
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‘The Look of Love’
Dusty Springfield
Philips Records BF 1577 [B-side] |
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Released 19 May 1967
Paper sleeve only in UK
A-side ‘Give Me Time’ |
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‘Bond Street’
Burt Bacharach
A&M Records AMS 702 |
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Released in May 1967, ‘Bond Street’ was a reworking of the track ‘Home
James, Don’t Spare The Horses’ featured on the original Casino
Royale soundtrack. Paper sleeve only. B-side ‘Alfie’. |
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‘You Only Live
Twice’
Nancy Sinatra
Reprise Records RS 20595 |
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Released 9 June 1967.
Highest UK chart position #11.
Paper sleeve only in UK
B-side ‘Jackson’ |
ABOVE: The single
version of ‘You Only Live Twice’ issued worldwide in 1967 is not
the same version which featured on the original soundtrack album.
The version heard in the film, and on the soundtrack album, was
recorded at CTS Studios on May 2, 1967 with a 60-piece orchestra
conducted by composer John Barry. American singer
Nancy Sinatra
[pictured above at the recording session with John Barry] was very nervous
at the recording, and intimidated by the number of photographers
and reporters present at the studio. The album recording was
actually made up from around 25 different takes combined by
producer John Barry into one seamless vocal track. The single
release, produced by Lee Hazlewood and arranged by session
guitarist Billy Strange, was less vocally demanding and used
backing singers, a rock guitar and double-tracking of Nancy
Sinatra's voice. Nevertheless, the Reprise Records single version
of ‘You Only Live Twice’ was a big hit in the UK, peaking at
number 11, and the highest charting James Bond single to date.
BELOW: John Barry's ‘007’ was also issued by Ember Records
in June 1967 and the label stated ‘as featured in the new James
Bond film You Only Live Twice’. The version of ‘007’ on the
single was identical to the one last released by Ember in
1964. The sleeve also curiously recycled the From Russia With
Love artwork used on the 1963/64 singles. The sleeve also
acknowledged John Barry's recent 1967 Academy Award©
Winner status. Barry's first Oscar was awarded for his score for
the 1966 film
Born Free. A second single featuring John Barry's instrumental
recording of ‘You Only Live Twice’ was released on June 16, 1967
with ‘The Girl With The Sun In Her Hair’ (then enjoying popularity
due to its use in a Sunsilk hair shampoo commercial) as its
B-side. |
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‘007’
John Barry
& and
his Orchestra
Ember Records EMB S 243 |
Released in June 1967, John Barry's ‘007’ was the
same re-recording of the track last issued in 1964.
B-side ‘The Loneliness Of Autumn (Non Sapevo)’ |
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‘You Only Live Twice’
John Barry
CBS Records
2825 |
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Released 16 June 1967.
Paper sleeve only in UK
B-side ‘The Girl With The Sun In Her
Hair’ |
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‘All The Time In The World’
Louis Armstrong
United Artists Records
UP 35059 |
Released 21 November 1969
Paper sleeve only in UK
B-side ‘Pretty Little Missy’ |
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‘On Her Majesty's Secret Service’
John Barry
CBS Records
4680 |
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Released 21 November 1969
Paper sleeve only in UK
B-side ‘We Have All the Time In The
World’ |
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‘WE HAVE ALL
THE TIME IN THE WORLD’ - Take Two!
In 1994 EMI re-released
Louis Armstrong's recording of ‘We Have
All The Time In The World’ as a 7" vinyl single (EM 357). The song
had been used in a popular Guinness television commercial
and the re-released single reached number 3 in the UK chart,
whereas the 1969 release did not chart at all. The B-side to the
vinyl release was John Barry's main theme to On Her Majesty's
Secret Service. The CD edition (CDEM 357) added Louis
Armstrong's popular 1967 hit ‘What A Wonderful World’. The
re-release also served as a taster for EMI's forthcoming
compilation album ‘We Have All The Time In The World - The Pure
Genius Of Louis Armstrong’ which featured the majority of Armstrong's
vocal hits.
It is ironic that it took a TV commercial to kick-start the
renewed interest in the then neglected 1969 James Bond film On
Her Majesty's Secret Service, which starred George Lazenby in
his only 007 outing. The same year saw George Lazenby appear at
‘The James Bond 007 Fan Club On Her Majesty’s Secret Service
Christmas Lunch’, held at Pinewood Studios on December 11th. The
event was organised by 007 MAGAZINE Editor & Publisher Graham Rye,
and Lazenby's appearance was something of a major coup at the
time. |
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‘Do You Know How Christmas Trees Are Grown?’
Nina
CBS Records
4681 |
Released 28 November 1969
Paper sleeve only in UK
B-side ‘The More Things Change’ |