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“Double the excitement
with Double DOUBLE-O-SEVEN!...”
Dr. No and Goldfinger’s run at the Gala cinemas
ended on Wednesday January 27, 1965 after which there was a brief five-week period where
no James Bond films were showing in London's West End. From
Russia With Love then screened at the Berkeley from Sunday March 7, where it
played for six weeks; while at the Gala Royal, Marble Arch (also owned by Kenneth
Rive) Dr. No was shown again from Thursday March 25 to Monday May 3, 1965.
From Russia With Love was supported at the Berkeley by the
controversial 1961 ‘X’ certificate WWII drama During One Night
(also known as Night of Passion); directed by Sidney J.
Furie, and produced by Kenneth Rive's Gala Films. Although
it had been Kenneth Rive who had kept Bond alive in London with revivals of the first three
James Bond films, distributor United Artists then re-released
Dr. No and From Russia With Love on an official double-bill
which opened on Sunday November 7, 1965 at the 600-seat Studio One cinema at
Oxford Circus, where it played until Thursday February 10, 1966. |
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The double-bill had
already been successfully released in the United States in May 1965 and
explains why the film logos used on the posters are the US versions, and
not those seen on advertising materials created for their original UK
release. Although the Exhibitors’ Campaign Book advertised the availability of a new
quad-crown poster for the double-bill, the National Screen Service (the
company who supplied publicity materials to UK cinemas) produced several
variant posters and newspaper advertisements used during the initial campaign
which utilised the layouts created
for the US release. The various taglines would be re-used on all
subsequent re-releases throughout the 1960s and 1970s. The double-bill was hugely successful and
screened
across the country for over six months, and was revived again in late
1966 where it played in many second-run cinemas. |
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‘Bondmania’ Hits
London!
The world premiere of Thunderball was originally scheduled
for Thursday October 21, 1965 at the ODEON Leicester Square, but post-production delays resulted in the cancellation of the London
opening and the film subsequently premiered at the Hibiya Theatre in Tokyo,
Japan on
Thursday December 9, 1965. Stanley Kramer's all-star drama Ship of Fools
(1965) took over the ODEON premiere slot. Promotion for
Thunderball was in full swing from Monday November 1st, when a display
of props from the film (including the two-man submarine sled and the B.S.A. motorcycle ridden by Luciana Paluzzi) appeared at the Thomas
Wallis department store in Oxford Street (pictured above right), close to the
Studio One cinema where Dr. No/From Russia With Love
would open on Sunday November 7, 1965. |
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A press screening
of
Thunderball was held at the ODEON Leicester
Square on Tuesday December 28, 1965, a day before the rescheduled
premieres at the London Pavilion and Rialto cinemas. Attending the
screening were Thunderball producer Kevin McClory, along
with Luciana Paluzzi, Claudine Auger and Adolfo Celi (pictured
above left). Following the screening press representatives were
invited to a “007 Vodka reception” where guests sampled the
‘Thunderball cocktail’. “007 Vodka” was one of many licensed
products released to capitalize on the success of the James Bond
brand at the height of ‘Bondmania’ in the mid-1960s. |
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“Look Up! Look Down!
Look Out!… James Bond Does it Everywhere!”
Thunderball
premiered in London at two West End venues on Thursday December 29, 1965 with director
Terence Young, stars Claudine Auger, Adolfo Celi, Luciana Paluzzi, Desmond
Llewelyn, Lois
Maxwell and
Goldfinger's Honor Blackman and Tania Mallet attending at the London
Pavilion; meanwhile Mollie Peters, Martine Beswicke [with her actor
partner John Richardson] and Guy Doleman were
among the celebrities appearing at the Rialto cinema 100-yards away on
Coventry Street. Other guests attending the premieres and after show
supper-dance at the Royal Garden Hotel in Kensington included producer Kevin McClory,
composer John Barry, production designer Ken Adam and Goldfinger
director Guy Hamilton. Sean Connery chose not to attend the Thunderball
premiere. Also absent was Albert R. Broccoli who was in New York following
the death of his
mother two days earlier (although he was present at the Dublin
premiere held on February 10, 1966). A second midnight gala performance of
Thunderball then took place at the London Pavilion on December 29,
1965 to benefit the
British Rheumatism and Arthritis Association. Tickets ranged in price from
£1 in the stalls to £10 in the Dress Circle. The proceeds from the London
Pavilion and Rialto premieres raised a staggering £12,000 for the
Newspaper Press Fund. |
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ABOVE: (top left) Adolfo Celi and Claudine Auger attend the Thunderball premiere at
the London Pavilion. (top centre) Large crowds gathered outside the
London Pavilion on the evening of Wednesday December 29, 1965 to watch
celebrities arriving at the Thunderball premiere. (top right) Goldfinger
star Honor Blackman also attends the
Thunderball gala premiere at the London Pavilion, whilst other
stars appear at the Rialto cinema 100-yards away on Coventry
Street. (bottom left) Goldfinger director Guy Hamilton with
his actress wife Kerima. (bottom centre) Actresses Mollie Peters,
Claudine Auger, Martine Beswicke and Luciana Paluzzi toast the
success of Thunderball at the London premiere. (bottom
right) Lois Maxwell (Miss Moneypenny) and her husband TV executive
Peter Marriott.
BELOW: (left) Crowds gather outside the London Pavilion hoping to
catch a glimpse of Sean Connery, but were disappointed when the
007 star did not attend. (centre) A second charity midnight
matinee of Thunderball was held at the London Pavilion on
December 29, 1965. (right) Director Terence Young and actress
Claudine Auger at the Thunderball supper-dance, held for
400 guests at
the Royal Garden Hotel in Kensington. |
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Although Thunderball
is technically captioned with a 1965 release date it would not actually
have been seen by the majority of its audience until early 1966. After its
double premiere at the London Pavilion and Rialto cinemas on Thursday
December 29, 1965 Thunderball then opened at the nine
‘Premiere Showcase Theatres’ across London
with sell-out midnight matinees on Saturday January 1, 1966 - with the ODEON Bromley and Streatham playing the film to standing customers.
The nine ‘Premiere Showcase Theatres’ alone took a staggering £9,100 on
Sunday January 2, 1966. Thunderball grossed a mammoth £8,120 at the London
Pavilion in the first four days, and £3,724 at the Rialto in the same
period. Thunderball marked the last time the ‘Premiere Showcase’
distribution model was used in London after a few high-profile films had
adopted the release pattern in 1965. |
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A week after its release the
new James Bond film had broken the
house records set by Goldfinger at the 11 London cinemas where it was playing.
Thunderball remained at the London Pavilion for a staggering 19 weeks,
and also played simultaneously at the Rialto for 12 weeks! Thunderball
then opened at key cities across the UK from Sunday February 6, 1966 with
a wider general release throughout the month.
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Goldfinger
was also re-released exclusively at the 600-seat ODEON Haymarket on
Thursday February 3, 1966
where it played for six weeks. With Dr. No/From Russia With Love still playing at the Studio One cinema at Oxford Circus,
all four James Bond films could then be seen in the West End.
Oxford Street
department store Selfridges then displayed the BSA 650 Rocket Firing
Motor Bike and Underwater Towcraft at their annual ‘Easter Show for Boys &
Girls’ 4th-16th April 1966, where they were joined by James Bond's Aston Martin and
Emma Peel's Lotus Elan from The Avengers television series. In
January 1966 the
CORGI Aston Martin DB5 had been announced as UK ‘Toy of the Year’ and
‘Best Boys Toy’ of 1965. ‘Bondmania’ had truly reached its zenith with
children and adults alike cashing in on the cult of James Bond! |
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Thunderball then played at La Continentale on Tottenham Court Road
for two weeks from Thursday June 23, 1966. Kenneth Rive
once again used the James Bond films as guaranteed money makers in brief
engagements at his London cinemas between his usual programmes of foreign
art-house films. He replayed the Dr. No/From Russia With Love
double-bill three more times - firstly at his 360-seat International Film Theatre in Bayswater for
one week from Sunday July 31, and again for another seven days from Sunday September
25, 1966. The pair then played at the Berkeley for two weeks from Thursday December 1,
1966. |
“James Bond is Back to
Back!”
There was then a six-month break before James Bond returned to the West End. As
the rights to Ian Fleming’s first James Bond novel CASINO ROYALE had not been available to EON
Productions in 1961, there was always the possibility that a film version
would be made by another company. Charles K. Feldman had acquired the rights
in 1960 but was unable to come to an agreement with Albert R. Broccoli &
Harry Saltzman to make it as an official entry in the EON series.
Ultimately Casino Royale was produced as a spoof version along the
lines of the producer’s previous success What’s New Pussycat?
(1965). |
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ABOVE: (top left)
Although not part of the official James Bond series Casino
Royale had a poster designed by Robert McGinnis who painted the
‘Sean Connery with Girls’ panel on the US posters for Thunderball. This artwork was used exclusively
on the UK quad-crown poster for Thunderball. He would go on to paint the
posters for You Only Live Twice and On Her Majesty's
Secret Service (with Frank McCarthy); and would be the
sole artist for Diamonds Are Forever, Live And Let Die and
The Man With The Golden Gun. (top and bottom right) Over the weekend of 15th
and 16th April 1967 a number of tattooed body-stocking-clad models
were driven around London in a Ford Mustang convertible, taking
part in a promotional drive and giving away film posters and
copies of the PAN paperback tie-in of Ian Fleming's original
novel. (bottom left) Casino Royale played at the ODEON
Leicester Square for five weeks from 13 April - May 17, 1967 and
was replaced by the comedy-thriller film Caprice starring
Doris Day and Richard Harris, which played until June 11th; with
You Only Live Twice then having its Royal World Charity
Premiere the the flagship cinema on the following evening. |
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Casino Royale had its London premiere on
Thursday April 13, 1967 at
the ODEON Leicester Square where it played until Wednesday May 17th. The premiere was
attended by co-producers Charles K. Feldman & Jerry Bresler, along
with the five directors John Huston (and his daughter Angelica), Val Guest, Joe McGrath, Ken Hughes and Robert Parrish.
Conspicuous by their absence were any of the films major stars, however
other leading actors of the day such as Laurence Harvey and Mia Farrow
added some Hollywood glamour to the occasion. Critically
panned, but very successful at the box-office in London, taking £8,000 in its first
three days at the ODEON Leicester Square, Casino Royale became the
most successful Columbia film to play at the cinema up to that point. Casino Royale then went
on general release across the country and was pre-booked into many cinemas
for two weeks. However, the film proved less popular in the provinces and
some cinemas cancelled the second week. The success in the West End was
also short-lived, as Casino Royale then opened at the 1,894-seat
ODEON Kensington and 2,860-seat New
Victoria on Thursday April 22, 1967 where it only played for one week,
despite newspaper advertising heralding the film as ‘London's Biggest
Hit!’. |
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ABOVE: (left) Ticket
for the Casino
Royale Premiere held at the ODEON Leicester
Square on Thursday April 13, 1967. The premiere was held in the
presence of HRH Princess Alexandra. Conspicuous by their
absence were any of Casino Royale's major stars,
however other leading actors of the day such as Laurence
Harvey and Mia Farrow (centre) added some Hollywood glamour
to the occasion. French actress Catherine Deneuve also attended
together with her then husband, photographer David Bailey, and
(right) English actress and model Vicky Hodge who appeared in
Casino Royale as one of the many uncredited extras.
BELOW: (left) THE BOND GIRLS [L-R] Joanna Pettet (Mata Bond),
Barbara Bouchet (Moneypenny), Jeanne Roland (Ting Ling & Captain
of the Guards), Tracey Crisp (Heather), Elaine Taylor (Peg) and
Caroline Munro (Guard Girl). (top right) Casino Royale
producer Charles K. Feldman with co-director John Huston and his
daughter Anjelica. (bottom centre) Casino Royale co-director Kenneth Hughes, and (bottom right) co-director [and
co-ordinator of additional sequences] Val Guest, with his actress
wife Yolande Donlan. |
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Casino Royale spent
another three weeks at the Prince Charles Cinema, Leicester Square from
Thursday June 8
1967; and a
brief engagement at Kenneth Rive's International Film Theatre, Bayswater
in Christmas week 1967, before becoming a late-night attraction at many
London cinemas in the following years. With its catchy tag line “Casino
Royale is too much for one James Bond!”, its success obviously worried
United Artists, who erected a huge poster on the roundabout at the
Elephant & Castle in Southwark,
reminding cinemagoers that “Sean Connery IS James Bond” and You Only
Live Twice was coming soon!
Sean Connery hated this
campaign as he was trying to escape his type-casting as James Bond and
insisted that advertising at the premiere was changed or he would not
attend. Although billboard posters across London still proclaimed ‘Sean
Connery IS James Bond’, premiere tickets, souvenir brochures and all advertising
outside the ODEON Leicester Square was hastily changed to read ‘Sean
Connery AS James Bond’. Such was the power the star wielded at the
peak of his career. Ironically, posters and advertising for Never Say
Never Again (1983) also utilised the tag-line “Sean Connery is James
Bond”, to which the actor clearly had no objections, in what was his
second comeback in the role that made him famous. Perhaps the lowercase
‘is’ placed less emphasis on the association to the character, and was
another acknowledgement that there were two James Bond films competing in
the marketplace that year. |
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ABOVE: You Only
Live Twice opened to the public on June 13, 1967 at the ODEON
Leicester Square and in the weeks before its release it was impossible
to avoid the posters with advertisements across London proclaiming
‘Sean Connery IS James Bond’. (top right) A huge 24-sheet
poster was erected at the Elephant & Castle roundabout in
Southwark, although advertising at the ODEON Leicester Square
(bottom right) was changed to read ‘Sean Connery AS
James Bond’ in accordance with the wishes of the actor, who had
announced this would be his last film as 007. |
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“TWICE Is The Only Way
To Live!”
You Only Live Twice
had its press show
at the ODEON Leicester Square at 10.30am on Monday June 12, 1967 -
with the Royal World Charity Premiere then taking place at 8.15pm in the presence of Her Majesty The Queen. Sean Connery attended along with his actress wife Diane Cilento; screenwriter Roald Dahl was accompanied by his actress wife
Patricia Neal, and the late Ian Fleming’s close friend Ivar Bryce. Also
attending was Goldfinger (1964) director Guy Hamilton; and Dick Van Dyke, Sally Ann Howes and Lionel Jeffries who were
then
filming Chitty Chitty Bang Bang at Pinewood Studios. Also present
was Desmond Llewelyn, who also played the small role of Coggins in Chitty Chitty Bang Bang
(1968), in addition to his recurring appearances as Q in the James Bond
films. Actor Laurence
Harvey, singer Tony Bennett and journalist & broadcaster Alan Whicker
(whose TV series Whicker's World had featured a one-hour programme
on the making of the You Only Live Twice broadcast on BBC2 on
Saturday March
25, 1967) also attended the premiere. American actor-comedians Jerry Lewis
[in the UK to film Don't Raise the Bridge, Lower the River (1968)
at Shepperton Studios]
and Phil Silvers [then filming (Carry On) Follow That Camel (1967) at
Pinewood Studios] clowned for the TV cameras
recording the event. |
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ABOVE: (top left) Sean Connery
and wife Diane Cilento arrive at the premiere of You Only Live
Twice. (top right) Crowds gather outside the ODEON Leicester
Square on June 12, 1967. (centre left) Sean Connery presents Diane Cilento to Her Majesty The Queen at the
premiere of You Only Live Twice. (bottom left) You Only
Live Twice breaks the house record at the ODEON in its first
week. (bottom right) You Only Live Twice also played at the
London Pavilion during September/October 1967. |
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Although Casino Royale was still
playing in London, You Only Live Twice proved hugely successful and
broke house records in its first week at the ODEON Leicester Square.
You Only Live Twice also broke the house record at the ODEON Leicester Square in
its second week taking £19,473, and again in its seventh week at the end of July, taking £16,256 - the best figure since
its third week, and even more remarkable given that London was
sweltering in a heat wave during the hottest summer for many years.
The fifth James Bond film even took in a respectable
£9,160 in its 11th and final week at the ODEON, before transferring to the London Pavilion
from Thursday August 31,
1967, where it then played until Tuesday October 17th.
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You Only Live Twice was the penultimate film screened at the ODEON
Leicester Square before the cinema closed for ‘modernisation’ on Thursday September 21,
1967. Most of the beautiful art-deco features which had survived the
London bombings in World War II were disposed of in the controversial
revamp. The three-month £200,000
facelift included a new front of house canopy, re-styled foyer & circle
lounge and the auditorium was fitted with new seats. The ODEON Leicester
Square re-opened
on Wednesday December 27, 1967 - the same week that Casino Royale
played at the International Film Theatre, Bayswater. |
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You Only Live Twice
also played concurrently at Studio One, Oxford Circus from Thursday September 14
until Thursday November 16, 1967 before transferring to the 320-seat Windmill Cinema (formerly The
Windmill Theatre) in Soho until Saturday December 16, 1967. You Only Live Twice
did not go on general release across the UK until mid-August 1967, two
months after it premiered in London - although some south coast seaside resorts
had played the film for 7-days at the end of June; and also an exclusive
season at the Dreamland Amusement complex in Margate over the Summer
months. You Only Live Twice was still screening provincially almost
a year after its London premiere. |
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ABOVE: (top left)
The custom-made advertising at the ODEON Leicester Square was
amended to read ‘Sean Connery AS James Bond’ at the request
of the actor. (top right) Shaftesbury
Avenue 1967 - The rear hoarding of the London Pavilion advertises
You Only Live Twice which played there from August
31 - October 17, 1967 [bottom] the front of the London Pavilion,
Piccadilly Circus at
night also with the amended tag-line. All other advertising and
posters for You Only Live Twice retained the original ‘Sean
Connery IS James Bond’ tag-line outside the West End. |
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