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  28 October 2024  
FASCINATING BUT FLAWED
LUKE G. WILLIAMS reviews Robert Sellers’ new tome, which examines the rollercoaster stories behind who was – and wasn’t – cast as James Bond…
THE SEARCH FOR BOND

The Search For Bond: How The 007 Role Was Won And Lost (History Press, RRP £20) opens on a strange and somewhat sour note. In a preface in which he explains the genesis of the project, Sellers notes that the book began life “sometime around 2007” before being “abandoned” and “left on a memory stick”. He then adds: “Imagine my surprise when many years later I was able to interest a publisher into releasing the book”.

However, what Sellers does not mention is that major portions of the book have been published before, and by 007 MAGAZINE no less – part 1 appeared in issue #55 in August 2012, and two further instalments appeared online in June 2023.

From a commercial perspective, perhaps Sellers and his publishers felt it would be ill-advised to inform someone who has just paid £20 for a book they could have accessed significant portions of gratis – and still can in fact – via the 007 MAGAZINE website: THE SEARCH FOR BOND

I have no personal axe to grind with Sellers – who I have never met, corresponded with, or crossed social or professional paths with – but I find his failure to reference the role of 007 MAGAZINE in his book’s genesis as being – at best – graceless and – at worst – somewhat disingenuous.

This significant omission to one side, let’s turn our attention to the book itself, and its value for the discerning 007 fan, which is considerable.

Sellers’ form-line when it comes to 007-related scribing is promising – his controversial tome The Battle For Bond shed fascinating light on the cinematic origins of 007 and the protracted Fleming-McClory-EON saga, uncovering much new information and insight along the way. Furthermore, his 2019 effort When Cubby Met Harry: The Story Of The James Bond Producers eminently readable, albeit not exactly groundbreaking.

Sellers’ strengths as a writer are his doggedness and his willingness to put in the hard research yards. These virtues, showcased in his previous two 007-related books, are once again amply showcased in The Search For Bond, which contains material from an impressive range of interviews that the author himself conducted – more than 50 by my count. In addition, he has diligently scoured other sources for supplementary information and material, all of which is impeccably sourced and referenced.

While Sellers is a more than able historian in terms of research, where he comes somewhat unstuck is in a lack of ability to critically evaluate the sources and information at his fingertips. Throughout the book he fails to offer detailed, or indeed at times any, comment on the veracity or reliability of those he has interviewed or those who claim to have come close to being cast as Bond. By neglecting to question or evaluate – for example – any of his subjects’ recall or accuracy, he leaves us none the wiser about some of the intriguing nuggets of information he has uncovered – a case in point being the revelation that American muscleman Steve Reeves was (perhaps?) offered the role of 007 before Sean Connery was cast in Dr. No. The oft-repeated claim that Timothy Dalton was approached in connection with the 007 role ahead of On Her Majesty’s Secret Service is also once again repeated by Sellers. It’s a claim the veracity of which I doubt, given that principal photography on OHMSS began nine days before Dalton’s debut film The Lion In Winter was even released. (It’s far more likely, in terms of timelines, that Dalton was seen or approached in connection with Diamonds Are Forever or Live And Let Die).

Sellers is also no stylist – his prose rarely rises above the prosaic, and his creative decision to end the book with an extended quotation by Rikki Lee Travolta, an extremely marginal one-time ‘candidate’ to play Bond is bizarre in the extreme. It’s also a shame that he neglects to include Australian model Finlay Light’s eye-popping and amusing claim – made in a rare interview last year – that when Barbara Broccoli interviewed him for the 007 role ahead of The Living Daylights he could tell that, “…she wanted me to make love to her”.

These caveats aside, The Search For Bond is a very readable addition to any 007 aficionado’s bookshelf and a book with many merits.

Definitive or essential? No, but certainly the most complete account thus far assembled of how the 007 role has been filled, and not filled, over the years.

THE SEARCH FOR BOND - Finlay Light

ABOVE: (left) THE SEARCH FOR BOND - Part 1 originally published in 007 MAGAZINE #55 (2012), and currently available as part of 007 MAGAZINE OMNIBUS #4 (2020). The three-part feature was also made exclusively available to subscribers of 007 MAGAZINE OnLine in August 2016. (right) Australian Finlay Light was announced as the new James Bond in worldwide press articles on April 28, 1986. “THE NEW JAMES BOND - He's 6ft 2ins. tall, has blonde hair, a hulky frame, good looks... he is Finlay Light. 32 yr. old Australian, who has just landed a 10 yr. contract to play James Bond. The ex-model, who comes from the beachside town of Byron Bay on the coast of New South Wales, Australia, will leave soon to begin filming.”


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