EXCLUSIVE ARTICLE |
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“The One And Only…
meets The Man With No Name” |
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You Only Live Twice went out with A Fistful of Dollars and played for three weeks at the London Pavilion from Thursday May 6, 1971 (playing simultaneously at the New Victoria for the first week); whilst Goldfinger was paired with For A Few Dollars More and screened at the London Pavilion for three weeks from Thursday June 24, 1971 (also playing for one week at the New Victoria from Thursday July 8, 1971), before a general release across UK from mid-August until the end of the year. |
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United Artists also planned a double-bill of Dr. No/The Good, The Bad and The Ugly as part of ‘The One And Only...’ campaign and the National Screen Service (the company that supplied advertising materials to UK cinemas) advertised the availability of a quad-crown poster also available as two separate double-crowns for each film. A tri-fold composite press sheet with a selection of different sized newspaper advertisement blocks was also issued. However, there is no evidence that this pairing ever played in a UK cinema in 1971/72. The double-bill did play in the Republic of Ireland at the Superama Cinema in Dublin for two weeks From Friday October 22, 1971. |
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“The One and Only…
James Bond is Back!” |
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Sean Connery later attended the Gala Scottish Premiere that was held at the ODEON Theatre, Clerk Street, Edinburgh on Friday January 14, 1972. The premiere was held in aid of the Scottish International Education Trust, which Sean Connery had founded in 1971 using the $1.25-million fee he received for returning as James Bond in Diamonds Are Forever. As part of its West End engagement Diamonds Are Forever also played for three weeks at the New Victoria from Monday February 7, 1972. |
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Sean Connery's comeback as James Bond was a huge hit before it even opened in the UK. The film first played in Germany before opening at US cinemas on December 17, 1971. Diamonds Are Forever set an film industry record by earning $15.6-million (then around £6.5-million) in its first 12 days of worldwide release. Diamonds Are Forever once again broke box-office records at the ODEON Leicester Square, taking £34,866 in its first week (the highest weekly take for any British cinema at that point). Even the morning screenings grew in popularity, and on one day ODEON employees counted a queue of almost 700 eager cinemagoers waiting an hour before the doors opened for the 10.45am performance. Although it had played in several key cities in January/February, Diamonds Are Forever then went on general release across the UK from March 26, 1972 when the majority of its audience would see it. The trade announcement (pictured above) in Cinema TV Today (formerly Kine Weekly, soon to become Screen International) showed that Diamonds Are Forever would open at the London Pavilion on February 24, 1972 but this was not actually the case. In its place distributor United Artists initiated a season of Sean Connery's five previous James Bond films which started on Thursday February 17, 1972 and played for six weeks until Sunday March 26, 1972. |
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Dr. No opened the season and played each week on Thursday and Friday; Thunderball screened on Saturday and Sunday, From Russia With Love on Monday; You Only Live Twice on Tuesday, with Goldfinger shown on Wednesday. Each film had three performances a day with an additional late-night screening of Thunderball on Saturdays at 11.00pm. |
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A very small number of posters were produced for display on the London Underground to advertise the six-week season of James Bond films that played exclusively at the London Pavilion. One of these posters can be briefly seen in the 1972 British cult horror film Death Line (known in the USA as Raw Meat), which was filmed whilst the season was screening. The poster can be seen in the platform exit in Russell Square Underground station, and has been defaced - adding large ears and a pair of spectacles to Sean Connery's face! |
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Diamonds Are Forever then transferred to the London Pavilion from Monday, March 27, 1972, after finishing its 13-week premiere engagement at the ODEON Leicester Square. Diamonds Are Forever then ended its 9-week run at the London Pavilion on Wednesday May 31, 1972, but was still playing across the country until October. |
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Sean Connery's James Bond films could then be seen in various combinations across the UK before the release of Roger Moore's debut as 007 in Live And Let Die. Whilst Diamonds Are Forever was still on general release, United Artists also paired Dr. No on a double-bill with Thunderball which played in North London cinemas from Sunday May 7, 1972, and South London a week later. The new pairing was accompanied by an eye-catching quad-crown poster utilising the Renato Fratini illustration from the original UK From Russia With Love advertising campaign, and also seen on the newspaper advertisements for the 1972 London Pavilion season. With Diamonds Are Forever now playing at the London Pavilion the Dr. No/Thunderball double-bill played for seven days from Thursday May 4, 1972 at the New Victoria. The same day Diamonds Are Forever opened at the Berkeley, Tottenham Court Road where it played for one week; and also at the Gala Royal, Marble Arch, where it went on to play for an unbroken 21 weeks until Wednesday September 27, 1972. Diamonds Are Forever had therefore screened continuously in London's West End for a staggering nine months! |
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From Russia With Love was then paired with Diamonds Are Forever at the London Pavilion for three weeks from Thursday May 31, 1973, and finished this exclusive West End engagement just two weeks before the opening of Live And Let Die at the ODEON Leicester Square. |
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The double-bill later had a general release across the UK from November 1973 after Live And Let Die had finished its West End release, this time accompanied by a new quad-crown double-bill poster. This was not created for the London Pavilion engagement which utilised the 1971 Diamonds Are Forever quad-crown poster, and the 1965 From Russia With Love reissue version. The National Screen Service produced quad-crown posters for many of these revivals, and also made composite advert blocks available to newspapers for other combinations of films that did not have a corresponding poster. |
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